Biography and more
Here you find more on the background and accomplishments of Teun Voeten.
Here you find more on the background and accomplishments of Teun Voeten.
was originally born in the Netherlands. After a year as an exchange student in New Jersey, he traveled for a while all over Europe. Later, he started to study cultural anthropology and philosophy at Leiden University, Netherlands.
While studying, he grew interested in photography and learned the profession by working as a photo-assistant, both in Holland and in New York, where he studied at the School of Visual Arts.
In New York, he also picked up his first assignments for magazines such as Details and High Times combining writing and photojournalism on subjects such as the Provo movement in the Netherlands, the elections in Nicaragua and the race riots in Bensonhurst, Brooklyn.
After carrying out extensive fieldwork in a gold digger community in the Ecuadorian Andes, Voeten finished his study in 1991 and moved to Brussels, Belgium. Over the years to follow, Voeten covered the conflicts in the former Yugoslavia, Haiti and Rwanda for Dutch, Belgian, German and American publications.
In 1994, he took a break from war reporting and picked up his anthropological roots by studying a homeless community that was living in an old rail road tunnel in Manhattan. For five months, Voeten lived, worked and slept among the tunnel people. This resulted in his first book 'Tunnelmensen' published in 1996 at the Amsterdam based publishing house Atlas. It was broadly praised by the press, 'a supreme example of participant observation,' one Dutch monthly wrote. 'Tunnel People' appeared September 2010 in a translated and updated version at PM Press, Oakland.
Between 1996 and 1998, Voeten developed a taste for the so called “forgotten wars” and went out to document the ongoing crises in Colombia, Afghanistan, Sudan and Sierra Leone. Work from these trips was published in his photo book 'A Ticket To', published in 1999 by Veenman Publishers.
In 1998, Voeten went to Sierra Leone to work on a project on child soldiers. His first trip ended nearly in disaster went he was hunted down by rebels intent on killing him, but eventually resulted in the headline “How de Body? Hope and Horror in Sierra Leone” which was published by Meulenhoff, in 2000. The English translation appeared at St. Martins Press, New York, 2002.
In 2000 and the years to come, Voeten was working on the human rights violations in Colombia, the so called conflict diamonds in Angola, Congo and Sierra Leone, the ongoing war in Afghanistan and women trafficking and forced prostitution on the Balkan.
In 2003, he went to Baghdad to follow up on the American led invasion/liberation, to return there 6 months later as an embed with the US forces. Over the last few years, Voeten also followed the American Coalition forces in Afghanistan. More recently, he focused his camera on the Gaza strip, the DR Congo and North Korea (design and architecture) as well as Chad (Darfur crisis), Iran (daily life) , China (pollution) and more recently, in 2012, the Arab Spring in Egypt en Libya.
Voeten has been published in Vanity Fair, The New Yorker, NY Times Magazine, National Geographic Magazine, Newsweek, Time, Granta, Village Voice, Vrij Nederland, NRC, De Standaard, Frankfurter Allgemeine, between others. His photos are used worldwide by relief organizations such as the International Red Cross, Doctors without Borders, UNICEF, UNHCR, Amnesty International and Human Rights Watch. Having won several awards for his photography and writing, Voeten is a regular guest on talk shows from all major networks in the Netherlands and Belgium, and is a sought after lecturer at universities and other cultural institutions in Europe and the USA. Besides his journalistic work, Voeten also started a foundation that is raising funds for a high school in Sierra Leone.
In 2009, Voeten started to focus on the drug violence in Mexico and made numerous trips to the flashpoints of the drug war, Ciudad Juarez, Culiacan and Michoacan. He also turned into new roads, making a video documentary about growing up in the most dangerous city in the world (Ciudad Juarez), as well as organizing a war photography exhibition, "10 years after 9/11" as a guest curator for GEMAK, a dependance from the Den Haag Fotomuseum in the Netherlands.
His photos from the drug violence where published in his photobook 'Narco Violence', Lannoo 2012. Together with film maker Maaike Engels,they made in 2016 'Calais: Welcome to the Jungle', a multilayered documentary on the squalid migrant camp in Northern France. Intrigued by the extreme violence in Mexico and trying to put 28 years of experience into academic perspective, Voeten started a PhD. He just finished his thesis called 'The Mexican Drug Violence: Hybrid Warfare, Predatory Capitalism and the Logic of Cruelty; which he will defend September 2018 at Leiden University
Masters Cultural Anthropology, minor Philosophy, Leiden University, Netherlands.
History of Modern Art, School of Visual Arts, New York.
Free-lance photographer and writer, covering the conflicts in Bosnia, Haiti, Chechnya, Colombia, Nicaragua, Afghanistan, Rwanda, Sierra Leone, Kosovo, Angola. Working for publications such Vanity Fair, The New Yorker, NY Times Magazine, National Geographic Magazine, Granta, Details, Village Voice, Vrij Nederland, NRC, De Standaard, Frankfurter Allgemeine, etc and for organisations such as International Red Cross, Doctors without Borders, UNICEF, UNHCR, UNFPA, Amnesty International, Human Rights Watch and Save the Children. Radio reports/dispatches for Belgian and Dutch Networks.
Initiator of campaign to raise funds for a high school in Sierra Leone.
1994 / 1995
Research/partipant observation in homeless community, living in the tunnels under Manhattan.
Coordinator in a Dutch/Belgian campaign to support the independent media in Sarajevo.
How de Body. One Man's Terrifying Journey Through an African Civil War, St. Martins Press, New York.
Tunnelmensen (Tunnelpeople), Atlas Publishers, Amsterdam.
How de Body. Hoop en Horror in Sierra Leone, Meulenhoff Publishers, Amsterdam.
A Ticket To, Veenman Publishers/Center for Contemporary Arts, Ede/Leiden, Netherlands.
Museum Ethnoggraphy, Leiden, “Afghanistan 2001 and Sudan 1997”
Halfking Gallery New York, “Afghanistan 2001”
Firepatrol Nr. 5, Harlem, New York “Our Grief is Not a Cry for War,” Groupshow
Fort Mason Center, San Francisco. “Afghanistan: End or Renewal.”
Columbia University, School for International and Public Affairs, NY “Human Crises in Afghanistan, Bosnia, Kosovo and Rwanda.”
Soros Foundation/Open Society Institute, New York. “Sierra Leone. The Good, the Bad and the Ugly.”
Fnac Gallery, Brussels. “Afghanistan: End or renewal?” Center for Contemporary Art, Leiden. “A Ticket To.”
Dr. Guislain Museum for Psychiatry, Gent, Belgium. “Tunnel people. Homeless in New York.”
1996 / 1997
Emerging Collector Gallery, New York. “Tunnel people,” “The Forgotten Wars.”
Université Libre de Bruxelles, Brussels, “Former Yugoslavia.” Faculty Social Sciences, Leiden University, Leiden. “Three times Latin America: Images from Ecuador, Haiti and Nicaragua.”
Sais-Novartis Award, for “The Terror of Sierra Leone.” Laureate Natali Award for Journalism and Human Rights.
1995, 1998, 1999
Zilveren Camera, Dutch Photo Journalistic Competition. Category Foreign News. (Sarajevo, Sudan, Sierra Leone)
Nomination Prof. Speckmann prijs, best Cultural Anthropologic Fieldwork, Leiden University, Netherlands.